{"id":8771,"date":"2026-08-16T12:30:43","date_gmt":"2026-08-16T10:30:43","guid":{"rendered":"https:\/\/www.beatricevenezi.it\/?page_id=8771"},"modified":"2026-08-18T12:20:31","modified_gmt":"2026-08-18T10:20:31","slug":"beatrice-venezi-biografia","status":"publish","type":"page","link":"https:\/\/www.beatricevenezi.it\/en\/beatrice-venezi-biografia\/","title":{"rendered":"Beatrice Venezi \u2013 Biography"},"content":{"rendered":"
\"Beatrice<\/figure>\n\n\n\n

Beatrice Venezi began learning the piano at the age of seven and, at just eight, was admitted to the \u201cL. Boccherini\u201d Conservatoire in her hometown of Lucca; she went on to complete her studies with a diploma from the \u201cR. Franci\u201d Conservatoire in Siena, under the guidance of Norberto Capelli.<\/p>\n\n\n\n

He studied composition with Gaetano Giani Luporini and orchestral conducting with Piero Bellugi, then with Gianluigi Gelmetti at the Accademia Chigiana in Siena, and obtained his Level II Academic Diploma from the \u201cG. Verdi\u201d Conservatoire of Music in Milan, with top marks and honours.<\/p>\n\n\n\n

He began working as an assistant conductor and, in 2016, following his participation in the Aram Khachaturian Conducting Competition in Yerevan, he became the Assistant Conductor of the Armenian State Symphony Orchestra.<\/strong><\/p>\n\n\n\n

At present Principal Guest Conductor at the Teatro Col\u00f3n in Buenos Aires<\/strong>, held the position of Principal Guest Conductor of the Orchestra della Toscana<\/strong>,Principal Guest Conductor at the Puccini Festival in Torre del Lago<\/strong> e Artistic Director of the Taormina Arte Foundation at the Ancient Theatre of Taormina<\/strong>; she was also a member of the Women\u2019s Advisory Council of the Pontifical Council for Culture from 2019 to 2022 and an adviser on music to the Minister for Culture of the Italian Republic from 2022 to 2024.<\/p>\n\n\n\n

He has worked alongside internationally renowned performers such as Pl\u00e1cido Domingo, Ram\u00f3n Vargas, Vittorio Grigolo, Marcelo \u00c1lvarez, Giorgio Surian, Maria Jos\u00e9 Siri, Kristine Opolais, Aida Garifullina, Bruno Canino, Stefan Milenkovich, Giuseppe Gibboni, Valentina Lisitsa, Andrea Griminelli, Eleonora Abbagnato, Carla Fracci, Marianela N\u00fa\u00f1ez and Andrea Bocelli.<\/p>\n\n\n\n

He has collaborated with prestigious institutions, including the New Japan Philharmonic, the National Theatre of Korea, the Sofia Philharmonic, the Nagoya Philharmonic, the Shenzhen Symphony Orchestra, Opera Holland Park in London, the Maggio Musicale Fiorentino Foundation, the Arena di Verona Foundation, the Op\u00e9ra de Nice, the Op\u00e9ra Grand Avignon, the Op\u00e9ra-Th\u00e9\u00e2tre de Metz M\u00e9tropole, the Haydn Orchestra, the I Pomeriggi Musicali Orchestra, the Teatro Lirico di Cagliari, Teatro Bellini in Catania, the Symphony Orchestra of the National Television and Radio Company of Belarus, the State Orchestra of Armenia, the Georgian Philharmonic, the Georgian National Opera Theatre, the National Opera House of Azerbaijan, the Ivan Zajc National Theatre in Rijeka, the Sofia National Opera and Ballet, in over four hundred symphonic concerts and opera performances.<\/p>\n\n\n\n

Alongside his professional work, he is actively involved in public engagement, collaborating with renowned institutions such as the University of Vienna, Bocconi University in Milan, the Milan Polytechnic, IULM, Polimoda in Florence, the Universit\u00e0 Cattolica del Sacro Cuore in Rome, the Universit\u00e0 Federico II in Naples, and the Universit\u00e0 Cattolica di Milano, for which he performed the concert marking the opening of the academic year in its centenary year (2021), LUISS, for which he delivered a keynote lecture to mark the thirtieth anniversary of Guido Carli\u2019s death, and the University of Sassari, for which he delivered the keynote lecture for the opening of the 2018\/19 academic year.<\/p>\n\n\n\n

For the publishing house UTET, she has published *Allegro con fuoco* and *Le sorelle di Mozart*, which was translated into French by Payot et Rivages under the title *Fortissima* and into Spanish by MRA Ediciones under the title *Las hermanas de Mozart*, *L\u2019ora di musica* and *Puccini contro tutti*; for DeAgostini Scuola, he edited the music education textbook for lower secondary schools, *Armonie*. In 2022, he also published the essay *Ciclicit\u00e0, staticit\u00e0 e atemporalit\u00e0 \u2013 The Wanderer\u2019s Journey through Schubert\u2019s Aesthetics\u201c in *Verbum Caro*, a collection dedicated to the 80th birthday of His Eminence Cardinal Ravasi \u2013 Edizioni San Paolo.<\/p>\n\n\n\n

She has released the albums \u201cMy Journey\u201d and \u201cHeroines\u201d on Warner Music Italy.<\/p>\n\n\n\n

The Corriere della Sera<\/strong> It names her amongst the 100 Women of the Year for 2016 and the 50 Women of the Year for 2017 who, across the globe, have distinguished themselves through their professionalism and have been revolutionary, resilient, non-conformist, pioneering, and champions of femininity, creativity and innovative solutions. Again in 2017, she was also named amongst the outstanding figures selected by Vanity Fair<\/strong> for the \u201cExcellence\u201d special collection. In 2018 Forbes<\/strong> it lists her among the 100 young leaders of the future aged under 30 and Fortune<\/strong> among the \u201840 under 40\u2019 lists for 2023 and 2024.<\/p>\n\n\n\n

She has received several awards for her contribution to the promotion of Italian culture around the world, for her ability to champion innovative models of female leadership, and for the role she has played in strengthening international cultural dialogue, as well as for her commitment to promoting musical culture amongst the younger generations:<\/p>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

Beatrice Venezi inizia lo studio del pianoforte a sette anni e gi\u00e0 a otto anni viene ammessa al Conservatorio “L. Boccherini” della sua citt\u00e0 natale, Lucca, percorso che terminer\u00e0  con il diploma presso il Conservatorio \u201cR. Franci\u201d di Siena, sotto la guida di Norberto Capelli. Studia composizione con Gaetano Giani 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