\u201cAt the heart of that design, underpinning it from start to finish, her guiding presence naturally came to the fore: Beatrice Venezi, the true linchpin of the gala\u2019s most profound segment. Beatrice Venezi: the backbone of a musical ceremony. Nothing we heard would have achieved such clarity without Venezi\u2019s presence; her conducting, at once firm and flexible, served as the backbone of the entire first half. It was she who unified the energy of the stable ensembles, who organised the musical material, who expanded every internal tension and who provided that long\u2014almost ritualistic\u2014breath that transformed the celebration into a major artistic event. Under her baton, *Alexander Nevsky* took on a ceremonial character: precision without rigidity, epic grandeur without bombast, transparency without hollowness. Venezi worked from the internal architecture, from the colour and from a dramatic awareness that rarely comes together with such clarity in a concert hall. The Permanent Orchestra and the Permanent Choir responded with admirable cohesion, driven by an interpretation that breathed and contracted with an almost theatrical organicity. A Nevsky that advances like a perfectly well-oiled historical machine. The conductor avoided all the clich\u00e9s of the Soviet repertoire. No heavy masses, no shapeless density. Instead: internal lines taut as steel, timbral contrasts delineated with microscopic precision, and a treatment of colour that revealed nuances usually submerged beneath the surface. From the \u00abSong to Alexander Nevsky\u201d, Venezi traced a broad, almost cinematic narrative arc. The strings built a vibrant foundation from which the brass emerged with understated nobility, without any stridency. Everything progressed with perfect internal logic: each section found its purpose; each episode unfolded as cause and effect. Nothing ornamental: only meaning. The Battle on the Ice \u2014 Rhythmic choreography and surgical precision This section marked one of the evening\u2019s highlights. Venezi achieved remarkable textural clarity: percussion, low strings and brass came together like the cogs of a single rhythmic mechanism. Rather than overwhelming the audience with sheer volume, the conductor chose to emphasise a sense of forward momentum and drive: as if a collective force \u2014 a musical army \u2014 were emerging from the orchestra pit and advancing towards the audience. A refined, calibrated sonic intensity that never lost control. The Permanent Orchestra responded with an outstanding performance, almost surpassing itself. The Permanent Choir: the centenary\u2019s wall of sound Whilst the Orchestra shone with precision, the Permanent Choir quite simply stood as a wall of sound. Compact intonation, controlled power, impeccable uniformity. Venezi conducted them with authority and sensitivity, modulating the tension and building crescendos from the heart of the sound rather than through mere physical projection. Their performance reaffirmed why this ensemble is one of the Teatro Col\u00f3n\u2019s artistic hallmarks. Under the baton of Beatrice Venezi, they delivered an interpretation of *Alexander Nevsky* that will remain in the theatre\u2019s collective memory.\u201d<\/p>\n\n\n\n
<\/p>","protected":false},"excerpt":{"rendered":"
(08.12.2025) La recensione di Sosa Battaglia. “En el coraz\u00f3n de ese dise\u00f1o, sosteni\u00e9ndolo de principio a fin, se impuso con naturalidad su figura rectora: Beatrice Venezi, aut\u00e9ntico eje articulador del cap\u00edtulo m\u00e1s profundo de la gala. Beatrice Venezi: la columna vertebral de una ceremonia sonora Nada de lo escuchado habr\u00eda 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