Una lectura s\u00f3lida y cinematogr\u00e1fica de Alexander Nevsky. La primera parte estuvo \u00edntegramente dedicada a la cantata Alexander Nevsky, de Sergu\u00e9i Prok\u00f3fiev, obra de dimensiones \u00e9picas y de compleja arquitectura coral y orquestal. La direcci\u00f3n de Venezi mostr\u00f3 madurez: el fraseo adquiri\u00f3 una respiraci\u00f3n amplia, el equilibrio entre planos fue cuidadoso y la narrativa sonora avanz\u00f3 sin brusquedades, dosificando el efectismo al que la partitura puede invitar. El n\u00famero V, La batalla sobre el hielo, extenso y con su car\u00e1cter r\u00edtmico m\u00e1s pulsante, mostr\u00f3 una notable integraci\u00f3n y trabajo grupal, destac\u00e1ndose lo que se logr\u00f3 con las maderas en los desaf\u00edos contrapunt\u00edsticos en velocidad que establece Prok\u00f3fiev. En el bloque verista, y ya nuevamente con Venezi a la cabeza, el Intermezzo de Cavalleria rusticana y el c\u00e9lebre \u00abRegina coeli\u2026 Inneggiamo\u00bb permitieron el lucimiento de las cuerdas en las frases envolventes y l\u00edricas de la orquesta. Junto al coro, como Santuzza, Guadalupe Barrientos aport\u00f3 tambi\u00e9n su detalle de angustia y devoci\u00f3n para sumar al momento dram\u00e1tico del coro de Pascua. El Coro de la \u00abKermesse\u00bb de Fausto aport\u00f3 un momento de colorido y dinamismo, antes de que la velada culminara con una tradicional y esperada lectura de la Marcha triunfal de Aida. Aqu\u00ed, el Col\u00f3n son\u00f3 a Col\u00f3n: amplitud sonora, brillo y una contundencia coral que record\u00f3 las mejores \u00e9pocas del teatro. La obra fuera de programa fue el infaltable \u00abVa, pensiero\u00bb, del Acto III de Nabucco: una versi\u00f3n sobria, de fina hechura musical.<\/p>\n\n\n\n
<\/p>","protected":false},"excerpt":{"rendered":"
(09.12.2025) MusicaClasica – Recensione di Pablo A. Lucioni Una lectura s\u00f3lida y cinematogr\u00e1fica de Alexander Nevsky. La primera parte estuvo \u00edntegramente dedicada a la cantata Alexander Nevsky, de Sergu\u00e9i Prok\u00f3fiev, obra de dimensiones \u00e9picas y de compleja arquitectura coral y orquestal. La direcci\u00f3n de Venezi mostr\u00f3 madurez: el fraseo adquiri\u00f3 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