{"id":8046,"date":"2026-03-10T13:38:44","date_gmt":"2026-03-10T12:38:44","guid":{"rendered":"https:\/\/www.beatricevenezi.it\/?page_id=8046"},"modified":"2026-08-18T13:18:44","modified_gmt":"2026-08-18T11:18:44","slug":"beatrice-venezi-recensioni","status":"publish","type":"page","link":"https:\/\/www.beatricevenezi.it\/es\/beatrice-venezi-recensioni\/","title":{"rendered":"Beatrice Venezi \u2013 Rese\u00f1as"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-002ffff5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-002ffff5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"pt-cv-wrapper\"><div class=\"pt-cv-view pt-cv-grid pt-cv-colsys\" id=\"pt-cv-view-c6271c0tnr\"><div data-id=\"pt-cv-page-1\" class=\"pt-cv-page\" data-cvc=\"3\"><div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8577\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-04-15T22:15:00+02:00\">abril 15, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/sosa-battaglia-il-teatro-colon-presenta-in-prima-assoluta-pagliacci-e-cavalleria-rusticana\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/04\/Sosa_Beatrice-Venezi-al-Teatro-Colon.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"Sosa Battaglia: &quot;Il Teatro Col\u00f3n presenta in prima assoluta Pagliacci e Cavalleria Rusticana&quot;\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/04\/Sosa_Beatrice-Venezi-al-Teatro-Colon.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/04\/Sosa_Beatrice-Venezi-al-Teatro-Colon-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/04\/Sosa_Beatrice-Venezi-al-Teatro-Colon-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/04\/Sosa_Beatrice-Venezi-al-Teatro-Colon-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/04\/Sosa_Beatrice-Venezi-al-Teatro-Colon-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/04\/Sosa_Beatrice-Venezi-al-Teatro-Colon-431x242.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/04\/Sosa_Beatrice-Venezi-al-Teatro-Colon-862x485.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/sosa-battaglia-il-teatro-colon-presenta-in-prima-assoluta-pagliacci-e-cavalleria-rusticana\/\" class=\"_self cvplbd\" target=\"_self\" >Sosa Battaglia: &#8220;Il Teatro Col\u00f3n presenta in prima assoluta Pagliacci e Cavalleria Rusticana&#8221;<\/a><\/h4>\n<div class=\"pt-cv-content\">La direzione di Beatrice Venezi si distingue, senza ombra di dubbio, come l&#8217;elemento pi\u00f9 coerente e meticolosamente curato dell&#8217;intera produzione &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8067\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-16T16:05:11+01:00\">marzo 16, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/opera-hr-teatro-verdi-di-trieste-beatrice-venezi-comprende-davvero-lopera\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"810\" height=\"480\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Beatrice-Venezi-Teatro-Verdi-Trieste.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"OPERA.hr - Teatro Verdi di Trieste: Beatrice Venezi comprende davvero l&#039;opera\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Beatrice-Venezi-Teatro-Verdi-Trieste.jpg 810w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Beatrice-Venezi-Teatro-Verdi-Trieste-300x178.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Beatrice-Venezi-Teatro-Verdi-Trieste-768x455.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Beatrice-Venezi-Teatro-Verdi-Trieste-431x255.jpg 431w\" sizes=\"auto, (max-width: 810px) 100vw, 810px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/opera-hr-teatro-verdi-di-trieste-beatrice-venezi-comprende-davvero-lopera\/\" class=\"_self cvplbd\" target=\"_self\" >OPERA.hr &#8211; Teatro Verdi di Trieste: Beatrice Venezi comprende davvero l&#8217;opera<\/a><\/h4>\n<div class=\"pt-cv-content\">(05.02.2026) La recensione della rivista di settore. OPERA.hr &#8211; Beatrice Venezi comprende davvero l&#8217;opera &#8211; di Luka Nalis. &#8220;La direttrice &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8078\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-16T16:01:03+01:00\">marzo 16, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/alpe-adria-kulttour-brecht-weill-e-lammirazione-di-venezi-con-lorchestra-del-teatro-verdi\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.01.31_Trieste_Teatro-Verdi.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"Beatrice Venezi al Teatro Verdi di Trieste\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.01.31_Trieste_Teatro-Verdi.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.01.31_Trieste_Teatro-Verdi-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.01.31_Trieste_Teatro-Verdi-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.01.31_Trieste_Teatro-Verdi-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.01.31_Trieste_Teatro-Verdi-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.01.31_Trieste_Teatro-Verdi-431x242.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.01.31_Trieste_Teatro-Verdi-862x485.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/alpe-adria-kulttour-brecht-weill-e-lammirazione-di-venezi-con-lorchestra-del-teatro-verdi\/\" class=\"_self cvplbd\" target=\"_self\" >Alpe Adria KultTour. Brecht, Weill e l&#8217;ammirazione di Venezi con l&#8217;Orchestra del Teatro Verdi<\/a><\/h4>\n<div class=\"pt-cv-content\">(01.02.2026) La recensione di Vincenzo Delle Donne sull&#8217;opera andata in scena al Teatro Verdi di Trieste. &#8220;L\u2019attentissima direttrice musicale Beatrice &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8062\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-16T16:00:23+01:00\">marzo 16, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/rai-news-beatrice-venezi-scintillante-successo-per-la-cupa-mahagonny\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.01.31_Trieste_TGR-Rai.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"Beatrice Venezi al Teatro Verdi di Trieste_Recensione Rai\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.01.31_Trieste_TGR-Rai.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.01.31_Trieste_TGR-Rai-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.01.31_Trieste_TGR-Rai-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.01.31_Trieste_TGR-Rai-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.01.31_Trieste_TGR-Rai-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.01.31_Trieste_TGR-Rai-431x242.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.01.31_Trieste_TGR-Rai-862x485.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/rai-news-beatrice-venezi-scintillante-successo-per-la-cupa-mahagonny\/\" class=\"_self cvplbd\" target=\"_self\" >Rai News. Beatrice Venezi scintillante successo per la cupa Mahagonny<\/a><\/h4>\n<div class=\"pt-cv-content\">(31.01.2026) Andrea Vardanega &#8211; Al Verdi il capolavoro di Brecht e Weill con la precisa direzione di Beatrice Venezi e &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8048\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-16T16:00:04+01:00\">marzo 16, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/beatrice-venezi-spettacolo-brillante-a-trieste\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.01.31_Trieste_amfortas.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"Beatrice Venezi_Recensione di amfortas Teatro Verdi Trieste\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.01.31_Trieste_amfortas.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.01.31_Trieste_amfortas-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.01.31_Trieste_amfortas-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.01.31_Trieste_amfortas-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.01.31_Trieste_amfortas-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.01.31_Trieste_amfortas-431x242.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.01.31_Trieste_amfortas-862x485.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/beatrice-venezi-spettacolo-brillante-a-trieste\/\" class=\"_self cvplbd\" target=\"_self\" >Beatrice Venezi spettacolo brillante a Trieste<\/a><\/h4>\n<div class=\"pt-cv-content\">(31.01.2026) La recensione di Amfortas &#8211; Teatro Verdi: Ascesa e caduta della citt\u00e0 di Mahagonny. Beatrice Venezi ha impresso allo &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8316\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-16T16:00:00+01:00\">marzo 16, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/gothicnetwork-mahagonny-a-trieste-diretta-da-beatrice-venezi\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.02.02_TRIESTE_Teatro-Verdi_1foto-di-F.Parenzan-452.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"gothicNetwork: &quot;Mahagonny&quot; a Trieste diretta da Beatrice Venezi\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.02.02_TRIESTE_Teatro-Verdi_1foto-di-F.Parenzan-452.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.02.02_TRIESTE_Teatro-Verdi_1foto-di-F.Parenzan-452-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.02.02_TRIESTE_Teatro-Verdi_1foto-di-F.Parenzan-452-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.02.02_TRIESTE_Teatro-Verdi_1foto-di-F.Parenzan-452-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.02.02_TRIESTE_Teatro-Verdi_1foto-di-F.Parenzan-452-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.02.02_TRIESTE_Teatro-Verdi_1foto-di-F.Parenzan-452-431x242.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.02.02_TRIESTE_Teatro-Verdi_1foto-di-F.Parenzan-452-862x485.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/gothicnetwork-mahagonny-a-trieste-diretta-da-beatrice-venezi\/\" class=\"_self cvplbd\" target=\"_self\" >gothicNetwork: &#8220;Mahagonny&#8221; a Trieste diretta da Beatrice Venezi<\/a><\/h4>\n<div class=\"pt-cv-content\">(02.02.2026) La recensione di Monica Ferri: Trieste Teatro Verdi. Mahagonny, il capitalismo allo specchio. Per la prima volta al Teatro &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8322\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-16T16:00:00+01:00\">marzo 16, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/bybattaglianews-mahagonny-weill-y-brecht-estremecen-trieste\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.02.03_TRIESTE_Teatro-Verdi_Battaglia.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"Beatrice Venezi dirige al Teatro Verdi di Trieste\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.02.03_TRIESTE_Teatro-Verdi_Battaglia.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.02.03_TRIESTE_Teatro-Verdi_Battaglia-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.02.03_TRIESTE_Teatro-Verdi_Battaglia-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.02.03_TRIESTE_Teatro-Verdi_Battaglia-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.02.03_TRIESTE_Teatro-Verdi_Battaglia-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.02.03_TRIESTE_Teatro-Verdi_Battaglia-431x242.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.02.03_TRIESTE_Teatro-Verdi_Battaglia-862x485.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/bybattaglianews-mahagonny-weill-y-brecht-estremecen-trieste\/\" class=\"_self cvplbd\" target=\"_self\" >ByBattagliaNews: Mahagonny, Weill y Brecht estremecen Trieste<\/a><\/h4>\n<div class=\"pt-cv-content\">(03.02.2026) La recensione di Alejandro Mitre. Beatrice Venezi approached Weill&#8217;s score with a remarkably clear structural interpretation. Her main merit &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8354\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-15T15:50:00+01:00\">marzo 15, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/gustavo-gabriel-otero-beatrice-venezi-e-la-traviata-en-buenos-aires\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.03.15_COLON-Teatro.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"Teatro Colon Buenos Aires\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.03.15_COLON-Teatro.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.03.15_COLON-Teatro-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.03.15_COLON-Teatro-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.03.15_COLON-Teatro-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.03.15_COLON-Teatro-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.03.15_COLON-Teatro-431x242.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2026.03.15_COLON-Teatro-862x485.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/gustavo-gabriel-otero-beatrice-venezi-e-la-traviata-en-buenos-aires\/\" class=\"_self cvplbd\" target=\"_self\" >Gustavo Gabriel Otero: Beatrice Venezi e La traviata en Buenos Aires<\/a><\/h4>\n<div class=\"pt-cv-content\">(28.11.2025) Recensione di proopera 40 anos Venezi concert\u00f3 con tiempos \u00e1giles, pero no artificialmente acelerados. Se pleg\u00f3 perfectamente a las &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8348\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-15T15:41:00+01:00\">marzo 15, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/la-traviata-al-teatro-colon-diretta-da-beatrice-venezi\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.11.21_COLON_TRAVIATA.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"La Traviata al Teatro Col\u00f3n diretta da Beatrice Venezi\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.11.21_COLON_TRAVIATA.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.11.21_COLON_TRAVIATA-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.11.21_COLON_TRAVIATA-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.11.21_COLON_TRAVIATA-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.11.21_COLON_TRAVIATA-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.11.21_COLON_TRAVIATA-431x242.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.11.21_COLON_TRAVIATA-862x485.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/la-traviata-al-teatro-colon-diretta-da-beatrice-venezi\/\" class=\"_self cvplbd\" target=\"_self\" >La Traviata al Teatro Col\u00f3n diretta da Beatrice Venezi<\/a><\/h4>\n<div class=\"pt-cv-content\">(21.11.2025) Recensione di Sosa Battaglia. &#8220;When the interpretive quality\u2014in this case, Zuzana Markov\u00e1 &#8216;s and Beatrice Venezi &#8216;s inspired conducting\u2014becomes &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8358\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-15T15:09:00+01:00\">marzo 15, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/100-anos-de-los-cuerpos-estables-del-colon-una-gala-que-reafirma-la-tradicion-y-el-porvenir\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_MusicaClasica_Juanjo-Bruzza_2025_271232-2048x1365-1.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"Beatrice Venezi dirige a Buenos Aires\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_MusicaClasica_Juanjo-Bruzza_2025_271232-2048x1365-1.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_MusicaClasica_Juanjo-Bruzza_2025_271232-2048x1365-1-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_MusicaClasica_Juanjo-Bruzza_2025_271232-2048x1365-1-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_MusicaClasica_Juanjo-Bruzza_2025_271232-2048x1365-1-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_MusicaClasica_Juanjo-Bruzza_2025_271232-2048x1365-1-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_MusicaClasica_Juanjo-Bruzza_2025_271232-2048x1365-1-431x242.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_MusicaClasica_Juanjo-Bruzza_2025_271232-2048x1365-1-862x485.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/100-anos-de-los-cuerpos-estables-del-colon-una-gala-que-reafirma-la-tradicion-y-el-porvenir\/\" class=\"_self cvplbd\" target=\"_self\" >100 a\u00f1os de los cuerpos estables del Col\u00f3n: una gala que reafirma la tradici\u00f3n y el porvenir<\/a><\/h4>\n<div class=\"pt-cv-content\">(09.12.2025) MusicaClasica &#8211; Recensione di Pablo A. Lucioni Una lectura s\u00f3lida y cinematogr\u00e1fica de Alexander Nevsky. La primera parte estuvo &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8329\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-15T15:04:00+01:00\">marzo 15, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/venezi-il-coro-e-lorchestra-illuminano-il-gala-dei-100-anni-al-teatro-colon\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.12.08_BYBATTAGLIA_COLON_Juanjo-Bruzza_2025_272202-1920x1280-1.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"Venezi, il Coro e l&#039;Orchestra illuminano il Gala dei &quot;100 anni&quot; al Teatro Col\u00f3n\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.12.08_BYBATTAGLIA_COLON_Juanjo-Bruzza_2025_272202-1920x1280-1.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.12.08_BYBATTAGLIA_COLON_Juanjo-Bruzza_2025_272202-1920x1280-1-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.12.08_BYBATTAGLIA_COLON_Juanjo-Bruzza_2025_272202-1920x1280-1-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.12.08_BYBATTAGLIA_COLON_Juanjo-Bruzza_2025_272202-1920x1280-1-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.12.08_BYBATTAGLIA_COLON_Juanjo-Bruzza_2025_272202-1920x1280-1-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.12.08_BYBATTAGLIA_COLON_Juanjo-Bruzza_2025_272202-1920x1280-1-431x242.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.12.08_BYBATTAGLIA_COLON_Juanjo-Bruzza_2025_272202-1920x1280-1-862x485.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/venezi-il-coro-e-lorchestra-illuminano-il-gala-dei-100-anni-al-teatro-colon\/\" class=\"_self cvplbd\" target=\"_self\" >Venezi, il Coro e l&#8217;Orchestra illuminano il Gala dei &#8220;100 anni&#8221; al Teatro Col\u00f3n<\/a><\/h4>\n<div class=\"pt-cv-content\">(08.12.2025) La recensione di Sosa Battaglia. &#8220;En el coraz\u00f3n de ese dise\u00f1o, sosteni\u00e9ndolo de principio a fin, se impuso con &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8416\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-15T15:00:00+01:00\">marzo 15, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/el-triptico-en-el-infierno\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.05.06_Gustavo-Gabriel-Otero.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"Beatrice Venezi_Recensione di Gustavo Gabriel Otero\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.05.06_Gustavo-Gabriel-Otero.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.05.06_Gustavo-Gabriel-Otero-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.05.06_Gustavo-Gabriel-Otero-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.05.06_Gustavo-Gabriel-Otero-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.05.06_Gustavo-Gabriel-Otero-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.05.06_Gustavo-Gabriel-Otero-431x242.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.05.06_Gustavo-Gabriel-Otero-862x485.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/el-triptico-en-el-infierno\/\" class=\"_self cvplbd\" target=\"_self\" >El Tr\u00edptico en el infierno<\/a><\/h4>\n<div class=\"pt-cv-content\">(06\/05\/2025) MundoClassico &#8211; Recensione di Gustavo Gabriel Otero. Beatrice Venezi condujo la Orquesta Estable, logrando una muy buena versi\u00f3n musical, &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8439\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-15T15:00:00+01:00\">marzo 15, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/clarin-il-trittico-de-puccini-con-una-puesta-controvertida-pero-salvada-por-los-solistas-los-cuerpos-estables-y-la-direccion-musical\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.05.03_COLON_Trittico2.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"Clarin - Il Trittico de Puccini, con una puesta controvertida, pero salvada por los solistas, los cuerpos estables y la direcci\u00f3n musical\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.05.03_COLON_Trittico2.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.05.03_COLON_Trittico2-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.05.03_COLON_Trittico2-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.05.03_COLON_Trittico2-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.05.03_COLON_Trittico2-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.05.03_COLON_Trittico2-431x242.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.05.03_COLON_Trittico2-862x485.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/clarin-il-trittico-de-puccini-con-una-puesta-controvertida-pero-salvada-por-los-solistas-los-cuerpos-estables-y-la-direccion-musical\/\" class=\"_self cvplbd\" target=\"_self\" >Clarin &#8211; Il Trittico de Puccini, con una puesta controvertida, pero salvada por los solistas, los cuerpos estables y la direcci\u00f3n musical<\/a><\/h4>\n<div class=\"pt-cv-content\">(03.05.2025) Recensione di Margarita Pollini. Los casi 40 solistas, los cuerpos estables y la direcci\u00f3n musical remontan cualquier tormenta. Beatrice &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8342\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-15T14:36:00+01:00\">marzo 15, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/mundoclasico-centenario-del-coro-y-orquesta-del-colon\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.12.09_mundoclasico_colon-100.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"MundoClasico_Beatrice Venezi i 100 anni del Colon\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.12.09_mundoclasico_colon-100.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.12.09_mundoclasico_colon-100-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.12.09_mundoclasico_colon-100-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.12.09_mundoclasico_colon-100-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.12.09_mundoclasico_colon-100-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.12.09_mundoclasico_colon-100-431x242.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.12.09_mundoclasico_colon-100-862x485.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/mundoclasico-centenario-del-coro-y-orquesta-del-colon\/\" class=\"_self cvplbd\" target=\"_self\" >MundoClasico: Centenario del Coro y Orquesta del Col\u00f3n<\/a><\/h4>\n<div class=\"pt-cv-content\">(09.12.2025) La recensione di Gustavo Gabriel Otero. Beatrice Venezi condujo con total seguridad a la Orquesta Estable, logrando muy buenas &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8466\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-15T13:25:00+01:00\">marzo 15, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/ansa-applausi-per-venezi-nella-favorita-di-donizetti-a-cagliari\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.06.07_ANSA_Cagliari_Donizetti.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"Beatrice Venezi dirige al Teatro Lirico di Cagliari\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.06.07_ANSA_Cagliari_Donizetti.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.06.07_ANSA_Cagliari_Donizetti-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.06.07_ANSA_Cagliari_Donizetti-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.06.07_ANSA_Cagliari_Donizetti-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.06.07_ANSA_Cagliari_Donizetti-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.06.07_ANSA_Cagliari_Donizetti-431x242.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.06.07_ANSA_Cagliari_Donizetti-862x485.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/ansa-applausi-per-venezi-nella-favorita-di-donizetti-a-cagliari\/\" class=\"_self cvplbd\" target=\"_self\" >Ansa &#8211; Applausi per Venezi nella Favorita di Donizetti a Cagliari<\/a><\/h4>\n<div class=\"pt-cv-content\">(07.06.2025) Recensione. Sul podio Beatrice Venezi, al suo debutto in Donizetti, ha guidato con leggerezza e dinamismo il belcanto senza &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8451\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-15T12:37:00+01:00\">marzo 15, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/la-persistencia-de-una-idea-descabellada\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.05.03_Teatro-Colon_Trittico.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"La persistencia de una \u201cidea descabellada\u201d\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.05.03_Teatro-Colon_Trittico.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.05.03_Teatro-Colon_Trittico-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.05.03_Teatro-Colon_Trittico-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.05.03_Teatro-Colon_Trittico-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.05.03_Teatro-Colon_Trittico-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.05.03_Teatro-Colon_Trittico-431x242.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.05.03_Teatro-Colon_Trittico-862x485.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/la-persistencia-de-una-idea-descabellada\/\" class=\"_self cvplbd\" target=\"_self\" >La persistencia de una \u201cidea descabellada\u201d<\/a><\/h4>\n<div class=\"pt-cv-content\">03\/05\/2025) Recensione di Claudio Ratier. Que la \u201cgu\u00eda\u201d desde el podio de un Trittico cuya concepci\u00f3n esc\u00e9nica se basa en &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8445\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-15T12:23:00+01:00\">marzo 15, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/olyrux-il-trittico-de-puccini-au-teatro-colon-ou-le-probleme-a-trois-corps\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Teatro-Colon_Gianni-Schicchi_Beatrice-Venezi.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"Beatrice Venezi dirige il Gianni Schicchi al Teatro Colon\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Teatro-Colon_Gianni-Schicchi_Beatrice-Venezi.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Teatro-Colon_Gianni-Schicchi_Beatrice-Venezi-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Teatro-Colon_Gianni-Schicchi_Beatrice-Venezi-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Teatro-Colon_Gianni-Schicchi_Beatrice-Venezi-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Teatro-Colon_Gianni-Schicchi_Beatrice-Venezi-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Teatro-Colon_Gianni-Schicchi_Beatrice-Venezi-431x242.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Teatro-Colon_Gianni-Schicchi_Beatrice-Venezi-862x485.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/olyrux-il-trittico-de-puccini-au-teatro-colon-ou-le-probleme-a-trois-corps\/\" class=\"_self cvplbd\" target=\"_self\" >Olyrux &#8211; Il Trittico de Puccini au Teatro Col\u00f3n ou le probl\u00e8me \u00e0 trois corps<\/a><\/h4>\n<div class=\"pt-cv-content\">(08\/05\/2025) Recensione di S\u00e9bastien Vacelet. La baguette de la cheffe Beatrice Venezi, l\u00e0 encore dans un souci du d\u00e9tail marqu\u00e9, &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8368\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-15T01:25:00+01:00\">marzo 15, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/opera-il-trittico-pucciniano-en-el-colon-entre-la-orquesta-magistral-y-el-verismo-extraviado\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Giacomo_Puccini_pianoforte.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"\u00d3pera: IL TRITTICO Pucciniano en el Col\u00f3n: entre la orquesta magistral y el verismo extraviado\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Giacomo_Puccini_pianoforte.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Giacomo_Puccini_pianoforte-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Giacomo_Puccini_pianoforte-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Giacomo_Puccini_pianoforte-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Giacomo_Puccini_pianoforte-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Giacomo_Puccini_pianoforte-431x242.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Giacomo_Puccini_pianoforte-862x485.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/opera-il-trittico-pucciniano-en-el-colon-entre-la-orquesta-magistral-y-el-verismo-extraviado\/\" class=\"_self cvplbd\" target=\"_self\" >\u00d3pera: IL TRITTICO Pucciniano en el Col\u00f3n: entre la orquesta magistral y el verismo extraviado<\/a><\/h4>\n<div class=\"pt-cv-content\">(05\/05\/2025) Recensione di Sosa Battaglia. La direcci\u00f3n de Beatrice Venezi al frente de la Orquesta Estable del Teatro Col\u00f3n fue, &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8469\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-15T00:25:00+01:00\">marzo 15, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/an-enchanting-night-triestes-verdi-theater-shines-with-mozarts-masterpiece\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.01.18_Trieste-Teatro-Verdi.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"Beatrice Venezi dirige al Teatro Verdi di Trieste\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.01.18_Trieste-Teatro-Verdi.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.01.18_Trieste-Teatro-Verdi-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.01.18_Trieste-Teatro-Verdi-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.01.18_Trieste-Teatro-Verdi-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.01.18_Trieste-Teatro-Verdi-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.01.18_Trieste-Teatro-Verdi-431x242.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.01.18_Trieste-Teatro-Verdi-862x485.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/an-enchanting-night-triestes-verdi-theater-shines-with-mozarts-masterpiece\/\" class=\"_self cvplbd\" target=\"_self\" >An Enchanting Night: Trieste\u2019s Verdi Theater Shines with Mozart\u2019s Masterpiece<\/a><\/h4>\n<div class=\"pt-cv-content\">(18.01.2025) InTrieste _ Recensione. Beatrice Venezi, the celebrated conductor and a rising star in the opera world, led the orchestra &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8363\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-14T14:20:00+01:00\">marzo 14, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/turandot-nel-centenario-della-morte-di-giacomo-puccini-diretta-da-beatrice-venezi\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1212\" height=\"682\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.05.05_COLON_Turandot.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"Turandot nel centenario della morte di Giacomo Puccini diretta da Beatrice Venezi\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.05.05_COLON_Turandot.jpg 1212w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.05.05_COLON_Turandot-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.05.05_COLON_Turandot-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.05.05_COLON_Turandot-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.05.05_COLON_Turandot-431x243.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2025.05.05_COLON_Turandot-862x485.jpg 862w\" sizes=\"auto, (max-width: 1212px) 100vw, 1212px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/turandot-nel-centenario-della-morte-di-giacomo-puccini-diretta-da-beatrice-venezi\/\" class=\"_self cvplbd\" target=\"_self\" >Turandot nel centenario della morte di Giacomo Puccini diretta da Beatrice Venezi<\/a><\/h4>\n<div class=\"pt-cv-content\">(19\/05\/2024) La Nation &#8211; Recensione di Pablo Gianera. Las estr\u00edas que dej\u00f3 en Turandot esa tensi\u00f3n -ese crecimiento s\u00fabito de &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8422\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-14T14:00:00+01:00\">marzo 14, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/beatrice-venezi-dirige-tosca-a-cagliari-applausi\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.03.16_Teatro-lirico-Cagliari.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"Beatrice Venezi, applausi al Teatro Lirico di Cagliari\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.03.16_Teatro-lirico-Cagliari.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.03.16_Teatro-lirico-Cagliari-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.03.16_Teatro-lirico-Cagliari-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.03.16_Teatro-lirico-Cagliari-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.03.16_Teatro-lirico-Cagliari-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.03.16_Teatro-lirico-Cagliari-431x242.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.03.16_Teatro-lirico-Cagliari-862x485.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/beatrice-venezi-dirige-tosca-a-cagliari-applausi\/\" class=\"_self cvplbd\" target=\"_self\" >Beatrice Venezi dirige Tosca a Cagliari: applausi<\/a><\/h4>\n<div class=\"pt-cv-content\">(16\/03\/2024) Recensione di Ansa. Sul podio, al suo debutto nel titolo, \u00e8 ritornata al Lirico Beatrice Venezi. In una lettura &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8386\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-14T01:24:00+01:00\">marzo 14, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/un-ballo-in-maschera-beatrice-venezi-al-teatro-colon\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.05.19_COLON_Un-ballo-in-maschera.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"Un Ballo in Maschera, Beatrice Venezi al Teatro Col\u00f3n\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.05.19_COLON_Un-ballo-in-maschera.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.05.19_COLON_Un-ballo-in-maschera-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.05.19_COLON_Un-ballo-in-maschera-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.05.19_COLON_Un-ballo-in-maschera-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.05.19_COLON_Un-ballo-in-maschera-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.05.19_COLON_Un-ballo-in-maschera-431x242.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.05.19_COLON_Un-ballo-in-maschera-862x485.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/un-ballo-in-maschera-beatrice-venezi-al-teatro-colon\/\" class=\"_self cvplbd\" target=\"_self\" >Un Ballo in Maschera, Beatrice Venezi al Teatro Col\u00f3n<\/a><\/h4>\n<div class=\"pt-cv-content\">(05\/12\/2024) Recensione di Sosa Battaglia. Beatrice Venezi, al frente de la orquesta, ofreci\u00f3 una direcci\u00f3n llena de energ\u00eda y sensibilidad &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8455\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-14T01:24:00+01:00\">marzo 14, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/la-platea-falso-tradimento-emoziona-autenticamente-il-pubblico-di-sassari\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.04.04_Alto-Tradimento-Teatro-Sassari-dirige-Beatrice-Venezi.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"La Platea - \u2018Falso tradimento&quot; emoziona autenticamente il pubblico di Sassari\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.04.04_Alto-Tradimento-Teatro-Sassari-dirige-Beatrice-Venezi.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.04.04_Alto-Tradimento-Teatro-Sassari-dirige-Beatrice-Venezi-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.04.04_Alto-Tradimento-Teatro-Sassari-dirige-Beatrice-Venezi-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.04.04_Alto-Tradimento-Teatro-Sassari-dirige-Beatrice-Venezi-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.04.04_Alto-Tradimento-Teatro-Sassari-dirige-Beatrice-Venezi-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.04.04_Alto-Tradimento-Teatro-Sassari-dirige-Beatrice-Venezi-431x242.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.04.04_Alto-Tradimento-Teatro-Sassari-dirige-Beatrice-Venezi-862x485.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/la-platea-falso-tradimento-emoziona-autenticamente-il-pubblico-di-sassari\/\" class=\"_self cvplbd\" target=\"_self\" >La Platea &#8211; \u2018Falso tradimento&#8221; emoziona autenticamente il pubblico di Sassari<\/a><\/h4>\n<div class=\"pt-cv-content\">(04\/04\/2024) Recensione di Gianluca Macovez. Il lavoro deve il suo successo alla perfetta intesa fra tutte le componenti, a cominciare &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8435\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-13T14:07:00+01:00\">marzo 13, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/opera-actual-un-oscuro-ballo-verdiano-en-el-colon\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.12.036_Verdi.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"Beatrice Venezi dirige Verdi\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.12.036_Verdi.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.12.036_Verdi-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.12.036_Verdi-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.12.036_Verdi-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.12.036_Verdi-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.12.036_Verdi-431x242.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.12.036_Verdi-862x485.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/opera-actual-un-oscuro-ballo-verdiano-en-el-colon\/\" class=\"_self cvplbd\" target=\"_self\" >Opera Actual &#8211; Un oscuro &#8216;Ballo&#8217; verdiano en el Col\u00f3n<\/a><\/h4>\n<div class=\"pt-cv-content\">(03\/12\/2024) Recensione di Mario Hamlet-Metz. &#8230;la orquesta de la casa a cargo de la maestra Beatrice Venezi, cuya batuta en\u00e9rgica, &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8405\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-13T14:00:00+01:00\">marzo 13, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/i-teatri-dellest-sassari-falso-tradimento-marco-tutino-dirige-beatrice-venezi\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.07.01_Falso-tradimento_Sassari_2024.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"Beatrice Venezi_Sassari\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.07.01_Falso-tradimento_Sassari_2024.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.07.01_Falso-tradimento_Sassari_2024-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.07.01_Falso-tradimento_Sassari_2024-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.07.01_Falso-tradimento_Sassari_2024-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.07.01_Falso-tradimento_Sassari_2024-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.07.01_Falso-tradimento_Sassari_2024-431x242.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2024.07.01_Falso-tradimento_Sassari_2024-862x485.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/i-teatri-dellest-sassari-falso-tradimento-marco-tutino-dirige-beatrice-venezi\/\" class=\"_self cvplbd\" target=\"_self\" >I Teatri dell&#8217;Est. SASSARI: Falso tradimento \u2013 Marco Tutino &#8211; dirige Beatrice Venezi<\/a><\/h4>\n<div class=\"pt-cv-content\">(2024\/07\/01) Recensione di Loredana Atzei. In stato di grazia l\u2019Orchestra Ente De Carolis, ricca di phatos e nuance, Diretta magistralmente, &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8376\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-12T12:00:00+01:00\">marzo 12, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/la-sonnambula-se-reveille-a-lopera-de-clermont-ferrand\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"800\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Beatrice-Venezi_Bibliografia.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"Beatrice Venezi_Bibliografia\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Beatrice-Venezi_Bibliografia.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Beatrice-Venezi_Bibliografia-300x125.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Beatrice-Venezi_Bibliografia-1024x427.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Beatrice-Venezi_Bibliografia-768x320.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Beatrice-Venezi_Bibliografia-1536x640.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Beatrice-Venezi_Bibliografia-431x180.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Beatrice-Venezi_Bibliografia-862x359.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/la-sonnambula-se-reveille-a-lopera-de-clermont-ferrand\/\" class=\"_self cvplbd\" target=\"_self\" >La sonnambula\u00a0se r\u00e9veille \u00e0 l&#8217;Op\u00e9ra de Clermont-Ferrand<\/a><\/h4>\n<div class=\"pt-cv-content\">(28\/01\/2022) Recensione di Roland Duclos. Et puisqu\u2019il faut un \u00e9crin superlatif \u00e0 cette Sonnambula, c\u2019est forc\u00e9ment le Ch\u0153ur de l\u2019Op\u00e9ra &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8383\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-12T12:00:00+01:00\">marzo 12, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/forum-opera-bellini-la-sonnambula-clermont-ferrand\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Vincenzo-Bellini.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"Forum Opera: BELLINI, La sonnambula \u2014 Clermont-Ferrand\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Vincenzo-Bellini.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Vincenzo-Bellini-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Vincenzo-Bellini-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Vincenzo-Bellini-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Vincenzo-Bellini-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Vincenzo-Bellini-431x242.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Vincenzo-Bellini-862x485.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/forum-opera-bellini-la-sonnambula-clermont-ferrand\/\" class=\"_self cvplbd\" target=\"_self\" >Forum Opera: BELLINI, La sonnambula \u2014 Clermont-Ferrand<\/a><\/h4>\n<div class=\"pt-cv-content\">(25\/01\/2022) Recensione di Ivan Beuvard. L\u2019Orchestre national d\u2019Auvergne, entre les mains expertes de Beatrice Venezi, r\u00e9alise l\u2019exploit [&#8230;] L\u2019Orchestre r\u00e9gional &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8411\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-11T15:02:00+01:00\">marzo 11, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/classiqueenprovence-la-sonnambula-venezi-lattuada-a-avignon\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Beatrice-Venezi-dirige-ad-Avignone.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"Classiqueenprovence - \u00ab\u00a0La Sonnambula\u00a0\u00bb, Venezi\/ Lattuada, \u00e0 Avignon\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Beatrice-Venezi-dirige-ad-Avignone.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Beatrice-Venezi-dirige-ad-Avignone-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Beatrice-Venezi-dirige-ad-Avignone-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Beatrice-Venezi-dirige-ad-Avignone-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Beatrice-Venezi-dirige-ad-Avignone-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Beatrice-Venezi-dirige-ad-Avignone-431x242.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Beatrice-Venezi-dirige-ad-Avignone-862x485.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/classiqueenprovence-la-sonnambula-venezi-lattuada-a-avignon\/\" class=\"_self cvplbd\" target=\"_self\" >Classiqueenprovence &#8211; \u00ab\u00a0La Sonnambula\u00a0\u00bb, Venezi\/ Lattuada, \u00e0 Avignon<\/a><\/h4>\n<div class=\"pt-cv-content\">(2022\/02\/25) Recensione: Les vedettes de la soir\u00e9e ? Les lumi\u00e8res\u2026 Dans la fosse, la jeune cheffe italienne Beatrice Venezi, tout &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8603\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-10T16:25:00+01:00\">marzo 10, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/carlos-ernesto-ure-beatrice-venezi-una-ajustada-edicion-verdiana\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/05\/Beatrice-Venezi-dirige-Verdi-al-Teatro-Colon.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"Beatrice Venezi dirige Verdi al Teatro Colon\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/05\/Beatrice-Venezi-dirige-Verdi-al-Teatro-Colon.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/05\/Beatrice-Venezi-dirige-Verdi-al-Teatro-Colon-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/05\/Beatrice-Venezi-dirige-Verdi-al-Teatro-Colon-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/05\/Beatrice-Venezi-dirige-Verdi-al-Teatro-Colon-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/05\/Beatrice-Venezi-dirige-Verdi-al-Teatro-Colon-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/05\/Beatrice-Venezi-dirige-Verdi-al-Teatro-Colon-431x242.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/05\/Beatrice-Venezi-dirige-Verdi-al-Teatro-Colon-862x485.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/carlos-ernesto-ure-beatrice-venezi-una-ajustada-edicion-verdiana\/\" class=\"_self cvplbd\" target=\"_self\" >Carlos Ernesto Ure: una ajustada edici\u00f3n verdiana<\/a><\/h4>\n<div class=\"pt-cv-content\">(28\/11\/2024) Beatrice Venezi dirige Verdi al Teatro Colon di Buenos Aires. &#8220;Podemos afirmar sin rodeos que en la tarea que &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8391\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-10T11:59:00+01:00\">marzo 10, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/love-among-the-cherries-lamico-fritz-returns-to-opera-holland-park\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2025\/12\/venezib_HP-Foto-apertura-conductor.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"Beatrice Venezi Conductor\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2025\/12\/venezib_HP-Foto-apertura-conductor.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2025\/12\/venezib_HP-Foto-apertura-conductor-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2025\/12\/venezib_HP-Foto-apertura-conductor-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2025\/12\/venezib_HP-Foto-apertura-conductor-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2025\/12\/venezib_HP-Foto-apertura-conductor-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2025\/12\/venezib_HP-Foto-apertura-conductor-1000x563.jpg 1000w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2025\/12\/venezib_HP-Foto-apertura-conductor-1800x1013.jpg 1800w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2025\/12\/venezib_HP-Foto-apertura-conductor-996x560.jpg 996w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2025\/12\/venezib_HP-Foto-apertura-conductor-600x338.jpg 600w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2025\/12\/venezib_HP-Foto-apertura-conductor-1200x675.jpg 1200w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/love-among-the-cherries-lamico-fritz-returns-to-opera-holland-park\/\" class=\"_self cvplbd\" target=\"_self\" >Love among the cherries:\u00a0L&#8217;amico Fritz\u00a0returns to Opera Holland Park<\/a><\/h4>\n<div class=\"pt-cv-content\">(18\/07\/2021) Recensione di Dominic Lowe. Performance from the pit in this orchestral reduction was exemplary: the City of London Sinfonia &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8431\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-10T11:53:00+01:00\">marzo 10, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/the-artsdesk-lamico-fritz-opera-holland-park-review-slow-burning-love-italian-style\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Opera-Holland-Park-Londra.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"Opera Holland Park Londra: Beatrice Venezi dirige L&#039;Amico Fritz\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Opera-Holland-Park-Londra.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Opera-Holland-Park-Londra-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Opera-Holland-Park-Londra-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Opera-Holland-Park-Londra-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Opera-Holland-Park-Londra-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Opera-Holland-Park-Londra-431x242.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Opera-Holland-Park-Londra-862x485.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/the-artsdesk-lamico-fritz-opera-holland-park-review-slow-burning-love-italian-style\/\" class=\"_self cvplbd\" target=\"_self\" >The ArtsDesk &#8211; L&#8217;amico Fritz, Opera Holland Park review &#8211; slow-burning love, Italian style<\/a><\/h4>\n<div class=\"pt-cv-content\">(17\/07\/2021) Recensione di David Nice. More of a surprise was the utterly idiomatic style of the City of London Sinfonia &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8379\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-10T11:41:00+01:00\">marzo 10, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/opera-today-quiet-charm-at-opera-holland-park-mascagnis-lamico-fritz\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Pietro-Mascagni.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"Opera Today: Quiet charm at Opera Holland Park: Mascagni\u2019s\u00a0L\u2019Amico Fritz\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Pietro-Mascagni.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Pietro-Mascagni-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Pietro-Mascagni-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Pietro-Mascagni-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Pietro-Mascagni-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Pietro-Mascagni-431x242.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Pietro-Mascagni-862x485.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/opera-today-quiet-charm-at-opera-holland-park-mascagnis-lamico-fritz\/\" class=\"_self cvplbd\" target=\"_self\" >Opera Today: Quiet charm at Opera Holland Park: Mascagni\u2019s\u00a0L\u2019Amico Fritz<\/a><\/h4>\n<div class=\"pt-cv-content\">(07\/2021) Recensione di Claire Seymour. OHP are also blessed with a conductor who appreciates the dramatic tenor and structure of &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8372\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-10T11:30:00+01:00\">marzo 10, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/a-light-touch-yet-full-of-character-mascagnis-lamico-fritz-proves-an-engaging-discovery-at-opera-holland-park\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2021.07.26_LONDRA_Opera-Holland-Park.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"Beatrice Venezi dirige all&#039;Opera Holland Park\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2021.07.26_LONDRA_Opera-Holland-Park.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2021.07.26_LONDRA_Opera-Holland-Park-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2021.07.26_LONDRA_Opera-Holland-Park-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2021.07.26_LONDRA_Opera-Holland-Park-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2021.07.26_LONDRA_Opera-Holland-Park-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2021.07.26_LONDRA_Opera-Holland-Park-431x242.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2021.07.26_LONDRA_Opera-Holland-Park-862x485.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/a-light-touch-yet-full-of-character-mascagnis-lamico-fritz-proves-an-engaging-discovery-at-opera-holland-park\/\" class=\"_self cvplbd\" target=\"_self\" >A light touch, yet full of character: Mascagni&#8217;s L&#8217;amico Fritz proves an engaging discovery at Opera Holland Park<\/a><\/h4>\n<div class=\"pt-cv-content\">(26\/07\/2021) La Recensione di Robert Hugill. Conductor Beatrice Venezi had made her UK debut at the beginning of this run &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8397\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-10T11:08:00+01:00\">marzo 10, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/lamico-fritz\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2021.07.20_The-Stage.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"Beatrice Venezi a Londra\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2021.07.20_The-Stage.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2021.07.20_The-Stage-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2021.07.20_The-Stage-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2021.07.20_The-Stage-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2021.07.20_The-Stage-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2021.07.20_The-Stage-431x242.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2021.07.20_The-Stage-862x485.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/lamico-fritz\/\" class=\"_self cvplbd\" target=\"_self\" >L\u2019Amico Fritz<\/a><\/h4>\n<div class=\"pt-cv-content\">(20\/07\/2021) The Stage &#8211; Recensione di George Hall. Making a highly auspicious UK debut is conductor Beatrice Venezi, whose rhythmic &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8426\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-10T11:04:00+01:00\">marzo 10, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/madama-butterfly-ou-le-drame-de-la-famille-pinkerton\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Opera-Theatre-de-Metz-Metropole.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"Beatrice Venezi dirige Madama Butterfly al Theatre de Metz Metropole\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Opera-Theatre-de-Metz-Metropole.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Opera-Theatre-de-Metz-Metropole-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Opera-Theatre-de-Metz-Metropole-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Opera-Theatre-de-Metz-Metropole-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Opera-Theatre-de-Metz-Metropole-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Opera-Theatre-de-Metz-Metropole-431x242.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/Opera-Theatre-de-Metz-Metropole-862x485.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/madama-butterfly-ou-le-drame-de-la-famille-pinkerton\/\" class=\"_self cvplbd\" target=\"_self\" >Madama Butterfly, ou le drame de la famille Pinkerton<\/a><\/h4>\n<div class=\"pt-cv-content\">(01\/05\/2021) Recensione di Pierre Degott. La jeune cheffe italienne Beatrice Venezi propose une lecture fine, d\u00e9taill\u00e9e et \u00e9nergique de la &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8393\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-10T11:02:00+01:00\">marzo 10, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/opera-holland-parks-delightful-lamico-fritz-effortlessly-lifts-the-woes-of-the-world\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_MusicaClasica_Juanjo-Bruzza_2025_271232-2048x1365-1.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"Beatrice Venezi dirige a Buenos Aires\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_MusicaClasica_Juanjo-Bruzza_2025_271232-2048x1365-1.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_MusicaClasica_Juanjo-Bruzza_2025_271232-2048x1365-1-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_MusicaClasica_Juanjo-Bruzza_2025_271232-2048x1365-1-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_MusicaClasica_Juanjo-Bruzza_2025_271232-2048x1365-1-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_MusicaClasica_Juanjo-Bruzza_2025_271232-2048x1365-1-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_MusicaClasica_Juanjo-Bruzza_2025_271232-2048x1365-1-431x242.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_MusicaClasica_Juanjo-Bruzza_2025_271232-2048x1365-1-862x485.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/opera-holland-parks-delightful-lamico-fritz-effortlessly-lifts-the-woes-of-the-world\/\" class=\"_self cvplbd\" target=\"_self\" >Opera Holland Park\u2019s delightful\u00a0L\u2019amico Fritz\u00a0effortlessly lifts the woes of the world<\/a><\/h4>\n<div class=\"pt-cv-content\">(24\/07\/2021) Seen and Heard International &#8211; Recensione di Colin Clarke. Conductor Beatrice Venezi ensured superb playing from the smaller group &#8230;<\/div><\/div><\/div>\n<div class=\"col-md-4 col-sm-4 col-xs-12 pt-cv-content-item pt-cv-1-col\" data-pid=\"8460\"><div class='pt-cv-ifield'><div class=\"pt-cv-meta-fields\"><span class=\"entry-date\"> <time datetime=\"2026-03-10T01:21:00+01:00\">marzo 10, 2026<\/time><\/span><\/div>\n<a href=\"https:\/\/www.beatricevenezi.it\/es\/ansa-lirico-cagliari-beatrice-venezi-riporta-il-pubblico-in-sala\/\" class=\"_self pt-cv-href-thumbnail pt-cv-thumb-default cvplbd\" target=\"_self\" ><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2021.12.02_Teatro-Lirico-Cagliari.jpg\" class=\"pt-cv-thumbnail img-none\" alt=\"Beatrice Venezi dirige al Teatro Lirico di Cagliari\" srcset=\"https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2021.12.02_Teatro-Lirico-Cagliari.jpg 1920w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2021.12.02_Teatro-Lirico-Cagliari-300x169.jpg 300w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2021.12.02_Teatro-Lirico-Cagliari-1024x576.jpg 1024w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2021.12.02_Teatro-Lirico-Cagliari-768x432.jpg 768w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2021.12.02_Teatro-Lirico-Cagliari-1536x864.jpg 1536w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2021.12.02_Teatro-Lirico-Cagliari-431x242.jpg 431w, https:\/\/www.beatricevenezi.it\/wp-content\/uploads\/2026\/03\/venezib_2021.12.02_Teatro-Lirico-Cagliari-862x485.jpg 862w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<h4 class=\"pt-cv-title\"><a href=\"https:\/\/www.beatricevenezi.it\/es\/ansa-lirico-cagliari-beatrice-venezi-riporta-il-pubblico-in-sala\/\" class=\"_self cvplbd\" target=\"_self\" >Ansa &#8211; Lirico Cagliari: Beatrice Venezi riporta il pubblico in sala<\/a><\/h4>\n<div class=\"pt-cv-content\">(02\/12\/2021) Recensione. Calorosi applausi hanno accolto Beatrice Venezi, per la prima volta sul podio del Lirico di Cagliari. La direttrice &#8230;<\/div><\/div><\/div><\/div><\/div><\/div>\t\t\t\t\t\t<style type=\"text\/css\" id=\"pt-cv-inline-style-a7f4536kmb\">#pt-cv-view-c6271c0tnr .pt-cv-taxoterm * { font-family: 'Roboto Condensed', Arial, serif !important; font-size: 14px !important; line-height: 1.3 !important; color: #3d5586 !important; display: block !important; text-align: left !important; clear: both !important; }\n#pt-cv-view-c6271c0tnr .pt-cv-title a, #pt-cv-view-c6271c0tnr  .panel-title { font-family: 'Playfair Display', Arial, serif !important; font-size: 22px !important; color: #000000 !important; font-weight: 600 !important; display: block !important; text-align: left !important; clear: both !important; line-height: 1,2 !important; }\n#pt-cv-view-c6271c0tnr  .pt-cv-title a:hover, #pt-cv-view-c6271c0tnr  .panel-title:hover   { font-family: 'Playfair Display', Arial, serif !important; font-size: 22px !important; color: #000000 !important; font-weight: 600 !important; display: block !important; 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