Venezi dirigi\u00f3 con tempos \u00e1giles, pero sin acelerarlos artificialmente. Se adapt\u00f3 perfectamente a las necesidades de cada uno de los int\u00e9rpretes principales en cuanto a fraseo y din\u00e1micas. Los preludios sonaron refinados y, cuando las circunstancias lo requer\u00edan, como en el coro del final de la fiesta en casa de Violetta del primer acto, se hicieron presentes la fuerza, la potencia y el volumen adecuados. En definitiva, una versi\u00f3n musical muy buena, s\u00f3lida, potente, homog\u00e9nea y sin fallas, con una excelente respuesta por parte de los m\u00fasicos de la orquesta. Afortunadamente, no se acortaron las frases del final de Alfredo, Germont padre, el doctor y Annina, como lamentablemente se est\u00e1 volviendo cada vez m\u00e1s habitual en los teatros del mundo y lo cual cambia radicalmente el final escrito por Verdi.<\/p>\n\n\n\n
(foto: Teatro Col\u00f3n)<\/em><\/p>","protected":false},"excerpt":{"rendered":" (28.11.2025) Recensione di proopera 40 anos Venezi concert\u00f3 con tiempos \u00e1giles, pero no artificialmente acelerados. Se pleg\u00f3 perfectamente a las necesidades de cada uno de los int\u00e9rpretes principales en cuando a fraseo y din\u00e1micas. Los preludios sonaron refinados y, cuando las circunstancias lo ameritaban, como en el coro del fin 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