Et puisqu\u2019il faut un \u00e9crin superlatif \u00e0 cette Sonnambula, c\u2019est forc\u00e9ment le Ch\u0153ur de l\u2019Op\u00e9ra Grand Avignon. Il s\u2019impose comme un rouage majeur de la tension rythmique impuls\u00e9e d\u2019une baguette intraitable par Beatrice Venezi. Et la Suisse dans tout \u00e7a ? Cens\u00e9e abriter les amours bucoliques de cette bluette inopin\u00e9ment d\u00e9complex\u00e9e, elle se reconvertit dans une sc\u00e9nographie \u00e9pur\u00e9e \u00e0 l\u2019extr\u00eame et caress\u00e9e des lumi\u00e8res savamment \u00e9quilibr\u00e9es de Christian Dubet. Mais elle est helv\u00e9tiquement omnipr\u00e9sente dans la direction horlog\u00e8re d\u2019une redoutable efficacit\u00e9 et d\u2019une parfaite sensibilit\u00e9 esth\u00e9tique de la cheffe milanaise. Reconnaissons qu\u2019elle a en main un magnifique outil : l\u2019Orchestre national d\u2019Auvergne. Attentifs \u00e0 traduire chaque nuance bellinienne d\u2019une partition qui n\u2019en fait pas l\u2019\u00e9conomie, ses pupitres jouent l\u2019atout ma\u00eetre du raffinement et de la pr\u00e9cision avec un sens des dynamiques que peuvent lui envier nombre de grands orchestres de fosse europ\u00e9ens !<\/p>\n\n\n\n
<\/p>","protected":false},"excerpt":{"rendered":"
(28\/01\/2022) Recensione di Roland Duclos. Et puisqu\u2019il faut un \u00e9crin superlatif \u00e0 cette Sonnambula, c\u2019est forc\u00e9ment le Ch\u0153ur de l\u2019Op\u00e9ra Grand Avignon. Il s\u2019impose comme un rouage majeur de la tension rythmique impuls\u00e9e d\u2019une baguette intraitable par Beatrice Venezi. Et la Suisse dans tout \u00e7a ? Cens\u00e9e abriter les amours 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