La baguette de la cheffe Beatrice Venezi, l\u00e0 encore dans un souci du d\u00e9tail marqu\u00e9, imprime dans les rangs de l\u2019orchestre permanent beaucoup d\u2019effets dramatiques et de subtilit\u00e9s de nuances, de volumes, qui portent \u00e0 eux seuls les vertus narratives d\u2019une direction \u00e0 la fois pr\u00e9cise et accompagnant l\u2019ensemble des ex\u00e9cutants, chanteurs en sc\u00e8ne y compris. L\u2019interventionnisme de Beatrice Venezi est constant, servi par une \u00e9nergie palpable et soucieuse d\u2019insuffler, sous l\u2019angle du style v\u00e9riste, ce que la mise en sc\u00e8ne occulte ou obscurcit sciemment.<\/p>\n\n\n\n
(photo: Teatro Colon – https:\/\/teatrocolon.org.ar\/produccion\/il-trittico)<\/em><\/p>","protected":false},"excerpt":{"rendered":" (08\/05\/2025) Recensione di S\u00e9bastien Vacelet. La baguette de la cheffe Beatrice Venezi, l\u00e0 encore dans un souci du d\u00e9tail marqu\u00e9, imprime dans les rangs de l\u2019orchestre permanent beaucoup d\u2019effets dramatiques et de subtilit\u00e9s de nuances, de volumes, qui portent \u00e0 eux seuls les vertus narratives d\u2019une direction \u00e0 la fois 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