OPERA.hr \u2013 Beatrice Venezi comprend vraiment l\u2019\u0153uvre \u2013 de Luka Nalis. <\/em>\u201cLa chef d\u2019orchestre Beatrice Venezi s\u2019est av\u00e9r\u00e9e tr\u00e8s fiable. Premi\u00e8rement, le texte de Venezi dans le livret de sc\u00e8ne montre clairement qu\u2019elle comprend vraiment l\u2019\u0153uvre et qu\u2019elle n\u2019a pas limit\u00e9 ses recherches \u00e0 la partition pour mettre en sc\u00e8ne la production, mais a \u00e9tudi\u00e9 en d\u00e9tail le contexte et les t\u00e9moignages laiss\u00e9s par les t\u00e9moins de l\u2019\u00e9poque (par exemple Theodor W. Adorno). Quant \u00e0 l\u2019ex\u00e9cution, Venezi a maintenu l\u2019orchestre pour l\u2019essentiel en arri\u00e8re-plan, comme si nous \u00e9tions assis dans un bar am\u00e9ricain \u00e0 jazz fumeur pour \u00e9couter de la musique de fond. Cette approche \u00e9tait appropri\u00e9e dans ce cas, car l\u2019orchestre incarne le rythme de la ville, qui, comme la fum\u00e9e dans l\u2019air, plane sur elle. Bien que la musique de Weill puisse para\u00eetre facile \u00e0 premi\u00e8re vue, ce n\u2019est pas du tout le cas, car elle exige pr\u00e9cision rythmique, un \u00e9quilibre entre l\u2019ironie et la brutalit\u00e9, l\u2019\u00e9vitement des caricatures exag\u00e9r\u00e9es et des changements stylistiques constants. Venezi a relev\u00e9 tous les d\u00e9fis, dirigeant l\u2019orchestre avec assurance et pr\u00e9cision, presque comme un chef de choeur, ce qui n\u2019\u00e9tait pas du tout mal, car l\u2019ensemble pouvait compter sur elle. Elle a donn\u00e9 des indications aux chanteurs et a \u00e9tabli un rapport intime avec l\u2019orchestre, sans recourir \u00e0 une approche \u201c \u00e0 la hache \u201d. L\u2019orchestre \u00e9tait s\u00fbre de ce qu\u2019il jouait, et cela se voyait sur les visages des musiciens. Ils s\u2019\u00e9taient amus\u00e9s tout au long de l\u2019ex\u00e9cution, ce qui n\u2019a certainement pas min\u00e9 la qualit\u00e9 de la prestation. Le violoniste \u00e9tait Stefano Furini.\u201d<\/p>\n\n\n\n (photo : Teatro Regio de Parme https:\/\/www.teatroregioparma.it\/teatro-regio\/#top\u2013)<\/em><\/p>","protected":false},"excerpt":{"rendered":" (05.02.2026) La recensione della rivista di settore. OPERA.hr – Beatrice Venezi comprende davvero l’opera – di Luka Nalis. “La direttrice d’orchestra Beatrice Venezi, si \u00e8 dimostrata molto affidabile. Innanzitutto, dal testo di Venezi nel libretto di sala emerge chiaramente che lei comprende davvero l’opera e che non si \u00e8 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la critique<\/a><\/mark><\/h3>\n\n\n\n