\u201c Ce n\u2019est qu\u2019en concentrant l\u2019attention sur la fosse d\u2019orchestre que la soir\u00e9e trouve ses fondements les plus solides. La direction de Beatrice Venezi s\u2019impose, sans l\u2019ombre d\u2019un doute, comme l\u2019\u00e9l\u00e9ment le plus coh\u00e9rent et le plus minutieusement soign\u00e9 de toute la production. Car l\u00e0 o\u00f9 la sc\u00e8ne s\u2019\u00e9parpille et o\u00f9 les voix vacillent, la baguette trouve toute sa raison d\u2019\u00eatre. Venezi tire de la partition une richesse de nuances qui ne r\u00e9sonnent pas toujours sur sc\u00e8ne : un orchestre qui respire, qui se tend, qui \u00e9merge de conflits instrumentaux internes et qui r\u00e9v\u00e8le \u2013 au fil de la soir\u00e9e \u2013 un processus d\u2019affinage qui t\u00e9moigne autant de la tradition que de son travail aupr\u00e8s de ses ma\u00eetres.<\/p>\n\n\n\n
La nouvelle production de *Pagliacci* et *Cavalleria rusticana* au Th\u00e9\u00e2tre Col\u00f3n se pr\u00e9sente sous le signe d\u2019une ambition esth\u00e9tique sans compromis : elle bouleverse l\u2019ordre traditionnel, utilise le cin\u00e9ma comme prisme conceptuel et s\u2019arroge le droit de r\u00e9interpr\u00e9ter \u2013 voire de r\u00e9\u00e9crire \u2013 les codes du v\u00e9risme. Le r\u00e9sultat\u2026 eh bien, le r\u00e9sultat m\u00e9rite d\u2019\u00eatre regard\u00e9 d\u2019un \u0153il critique\u2026 et de l\u2019autre, celui qui refuse de se taire.<\/p>\n\n\n\n
* * * * *<\/p>\n\n\n\n
La baguette : le v\u00e9ritable pouls de la nuit<\/strong> <\/p>","protected":false},"excerpt":{"rendered":" La direzione di Beatrice Venezi si distingue, senza ombra di dubbio, come l’elemento pi\u00f9 coerente e meticolosamente curato dell’intera produzione. “\u00c8 solo concentrando l’attenzione sulla buca dell’orchestra che la serata trova le sue fondamenta pi\u00f9 solide. La direzione di Beatrice Venezi si distingue, senza ombra di dubbio, come l’elemento pi\u00f9 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\u201c Et ce n\u2019est qu\u2019en se concentrant sur la fosse d\u2019orchestre que la soir\u00e9e trouve son point fort. La direction de B\u00e9atrice Venezi s\u2019impose sans conteste comme l\u2019\u00e9l\u00e9ment le plus coh\u00e9rent et le plus soigneusement \u00e9labor\u00e9 de toute la production. \u00bb.
Car l\u00e0 o\u00f9 la sc\u00e8ne s\u2019\u00e9gare et o\u00f9 les voix vacillent, la baguette prend tout son sens. Venezi tire de la partition une multitude de nuances qui ne r\u00e9sonnent pas toujours sur sc\u00e8ne : un orchestre qui respire, qui se tend, qui \u00e9merge de conflits instrumentaux internes et qui r\u00e9v\u00e8le, au fil de la soir\u00e9e, un processus d\u2019affinage qui t\u00e9moigne autant de la tradition que de son travail avec ses professeurs.
C'est dans la fosse que, finalement, le drame se d\u00e9roule.
Son interpr\u00e9tation ne se contente pas d\u2019accompagner : elle t\u00e9moigne d\u2019une compr\u00e9hension organique du v\u00e9risme, d\u2019une mani\u00e8re de faire coexister le th\u00e9\u00e2tral et l\u2019intime, de cr\u00e9er des atmosph\u00e8res sans recourir \u00e0 des effets trop appuy\u00e9s. En tant qu\u2019Italienne, Venezi comprend cet \u00e9quilibre d\u00e9licat entre exc\u00e8s et retenue, entre sang et forme. Et elle le rend visible.
\u201d Elle sait tr\u00e8s bien de quoi il s'agit. \u00bb<\/p>\n\n\n\nCliquez ici pour lire l'article complet de Sosa Battaglia<\/a><\/mark><\/h3>\n\n\n\n
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