Sosa Battaglia: “The Teatro Colón presents the world premiere of *Pagliacci* and *Cavalleria Rusticana*”
Beatrice Venezi’s direction stands out, without a shadow of a doubt, as the most consistent and meticulously crafted element of the entire production …
OPERA.hr – Teatro Verdi, Trieste: Beatrice Venezi truly understands opera
(5 February 2026) A review from the specialist magazine. OPERA.hr – Beatrice Venezi really understands opera – by Luka Nalis. “The conductor …
Alpe Adria KultTour. Brecht, Weill and ‘L’ammirazione di Venezi’ with the Teatro Verdi Orchestra
(1 February 2026) Vincenzo Delle Donne’s review of the opera staged at the Teatro Verdi in Trieste. “The highly attentive musical director Beatrice …
Rai News. Beatrice Venezi: a resounding success for the sombre *Mahagonny*
(31 January 2026) Andrea Vardanega – Brecht and Weill’s masterpiece at the Verdi Theatre, under the skilful direction of Beatrice Venezi and …
Beatrice Venezi: a brilliant performance in Trieste
(31 January 2026) Amfortas’s review – Teatro Verdi: The Rise and Fall of the City of Mahagonny. Beatrice Venezi left a lasting impression on …
gothicNetwork: “Mahagonny” in Trieste, conducted by Beatrice Venezi
(2 February 2026) A review by Monica Ferri: Teatro Verdi, Trieste. *Mahagonny*: capitalism held up to the mirror. For the first time at the Teatro …
ByBattagliaNews: Mahagonny, Weill and Brecht take Trieste by storm
(3 February 2026) A review by Alejandro Mitre. Beatrice Venezi approached Weill’s score with a remarkably clear structural interpretation. Her main merit …
Gustavo Gabriel Otero: Beatrice Venezi and *La traviata* in Buenos Aires
(28 November 2025) Review of Proopera’s ‘40 anos Venezi’: the concert featured lively tempos, though not artificially accelerated. It was perfectly in keeping with the …
*La Traviata* at the Teatro Colón, conducted by Beatrice Venezi
(21 November 2025) Review by Sosa Battaglia. “When the interpretative quality—in this case, Zuzana Marková’s and Beatrice Venezi’s inspired conducting—becomes …
100 years of the Colón’s permanent ensembles: a gala that reaffirms tradition and the future
(09.12.2025) MusicaClasica – Review by Pablo A. Lucioni A solid, cinematic interpretation of *Alexander Nevsky*. The first part was …
Venice: the Choir and Orchestra light up the “100th Anniversary” Gala at the Teatro Colón
(8 December 2025) Sosa Battaglia’s review. “At the heart of that design, underpinning it from start to finish, was …
The Triptych in Hell
(6 May 2025) MundoClassico – Review by Gustavo Gabriel Otero. Beatrice Venezi conducted the Orquesta Estable, delivering a very fine musical performance, …
Clarin – Puccini’s *Il Trittico*, with a controversial staging, but saved by the soloists, the resident companies and the musical direction
(3 May 2025) Review by Margarita Pollini. The 40 soloists, the permanent ensemble and the musical direction weather any storm. Beatrice …
MundoClasico: Centenary of the Colón Choir and Orchestra
(9 December 2025) A review by Gustavo Gabriel Otero. Beatrice Venezi conducted the Orquesta Estable with complete confidence, achieving some excellent …
Ansa – Applause for Venezi in Donizetti’s *La Favorita* in Cagliari
(7 June 2025) Review. On the podium, Beatrice Venezi, making her Donizetti debut, conducted the bel canto with lightness and dynamism without …
The persistence of a “far-fetched idea”
(3 May 2025) Review by Claudio Ratier. Let this be the “guide” from the podium of a Triptych whose stage design is based on …
Olyrux – Puccini’s Triptych at the Teatro Colón, or the three-body problem
(8 May 2025) Review by Sébastien Vacelet. Chef Beatrice Venezi’s baguette, once again showcasing her keen eye for detail, …
Opera: Puccini’s *Il Trittico* at the Colón: between masterful orchestration and misguided verismo
(5 May 2025) Review by Sosa Battaglia. Beatrice Venezi’s conducting of the Teatro Colón’s Permanent Orchestra was, …
An Enchanting Night: Trieste’s Verdi Theatre Shines with Mozart’s Masterpiece
(18 January 2025) InTrieste _ Review. Beatrice Venezi, the celebrated conductor and a rising star in the opera world, led the orchestra …
*Turandot*, marking the centenary of Giacomo Puccini’s death, conducted by Beatrice Venezi
(19 May 2024) La Nation – Review by Pablo Gianera. The scars left on *Turandot* by that tension – that sudden surge of …
Beatrice Venezi conducts *Tosca* in Cagliari: applause
(16 March 2024) Review by Ansa. Beatrice Venezi returned to the Lirico, taking her place on the podium for her debut in the lead role. In an interpretation …
*Un Ballo in Maschera*, Beatrice Venezi at the Teatro Colón
(5 December 2024) Review by Sosa Battaglia. Beatrice Venezi, at the helm of the orchestra, delivered a performance full of energy and sensitivity …
La Platea – ‘Falso tradimento” genuinely moves the audience in Sassari
(4 April 2024) Review by Gianluca Macovez. The work owes its success to the perfect harmony between all its elements, starting with …
Opera Actual – A little-known Verdi ‘Ballo’ at the Colón
(3 December 2024) Review by Mario Hamlet-Metz. …the in-house orchestra conducted by Beatrice Venezi, whose energetic baton, …
Theatres of the East. SASSARI: *False Betrayal* – Marco Tutino – directed by Beatrice Venezi
(1 July 2024) Review by Loredana Atzei. The Ente De Carolis Orchestra was in fine form, full of pathos and nuance, masterfully conducted, …
*La Sonnambula* opens at the Clermont-Ferrand Opera House
(28 January 2022) Review by Roland Duclos. And since this *Sonnambula* demands a truly superb setting, it has to be the Opera Chorus …
Opera Forum: BELLINI, *La sonnambula* — Clermont-Ferrand
(25 January 2022) Review by Ivan Beuvard. The Orchestre national d’Auvergne, under the expert baton of Beatrice Venezi, pulls off a remarkable feat […] The regional orchestra …
Classiqueenprovence – «La Sonnambula», Venezi/Lattuada, in Avignon
(25 February 2022) Review: The stars of the evening? The lights… In the orchestra pit, the young Italian conductor Beatrice Venezi, all …
Carlos Ernesto Ure: a faithful edition of Verdi’s work
(28 November 2024) Beatrice Venezi conducts Verdi at the Teatro Colón in Buenos Aires. “We can state quite plainly that in the task that …
Love among the cherries: L’amico Fritz returns to Opera Holland Park
(18 July 2021) Review by Dominic Lowe. The performance from the pit in this orchestral reduction was exemplary: the City of London Sinfonia …
The ArtsDesk – *L’amico Fritz*, Opera Holland Park review – slow-burning love, Italian style
(17 July 2021) Review by David Nice. What came as an even greater surprise was the utterly idiomatic style of the City of London Sinfonia …
Opera Today: Quiet charm at Opera Holland Park: Mascagni’s L’Amico Fritz
(July 2021) Review by Claire Seymour. The OHP are also fortunate to have a conductor who appreciates the dramatic tone and structure of …
Light-hearted, yet full of character: Mascagni’s *L’amico Fritz* proves to be a delightful discovery at Opera Holland Park
(26 July 2021) Robert Hugill’s review. Conductor Beatrice Venezi had made her UK debut at the start of this run …
Fritz the Friend
(20 July 2021) The Stage – Review by George Hall. Conductor Beatrice Venezi is making a highly promising UK debut, whose rhythmic …
Madama Butterfly, or the Tragedy of the Pinkerton Family
(1 May 2021) Review by Pierre Degott. The young Italian conductor Beatrice Venezi presented a nuanced, detailed and energetic interpretation of the …
Opera Holland Park’s delightful *L’amico Fritz* effortlessly lifts our spirits amidst the world’s troubles
(24 July 2021) Seen and Heard International – Review by Colin Clarke. Conductor Beatrice Venezi ensured superb playing from the smaller ensemble …
Ansa – Lirico Cagliari: Beatrice Venezi brings the audience back to the theatre
(2 December 2021) Review. Beatrice Venezi received a warm round of applause on her debut on the podium at the Lirico in Cagliari. The conductor …